My artistic practice is interdisciplinary and research-based, involving sound design and experimental composition. I’m interested in the presentation of narratives by means of sound – not through traditional musical gestures, but using different approaches such as the futurists’ bruitism. Working with the organisation of sounds, I explore sonic structures – such as when a field recording is no longer realistic or when a sonic structure accuires musical qualities – and thereby explore the artistic, musical and narrative dimensions of the sonic space. By placing myself in the intersection between the known formats, I wish to challenge our ways of listening – to music (live as well as recorded), to our surroundings and to (sonic) art.